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Depeche mode songs download4/15/2024 Perhaps it's simply that power – never mawkish – that sustains it. the lyrics look trite, often naïve and frequently clichéd when printed out Yet Depeche have the right balance and necessary gauche to pull it off. one that carries emotion, devotion and yet never gives way to feebleness or predictability. This package is a carefully assorted, daintily arranged symphony. Over a whole LP, their gaucheness is a major distraction from the record's musical merits." Ĭarole Linfield, in Sounds, felt the balance of powerful music and personal lyrics was just right: "The combination of the Depeche strength of vocal and now the Depeche delicacy is going to be hard to beat. But 45s rather than LPs remain their forte They've progressed a million musical miles from their boppy origins, but Martin Gore's lyrics haven't kept up. In Number One, Sunie expressed similar reservations: "The sadly under-rated Depeches turn out consistently excellent singles. It's just that they should be so much better." Dave Gahan's voice has improved greatly – in that he's learned how to use its limited range – but like the melodies, it imparts mucho sameiness to the record." He concludes: "Depeche Mode can be one the few acts worthy of the name pop group. Over 40 minutes, the interest begins to wane. it's just a nod to left-field, rather than use of the sound." Of the songs and singing he says: "Often the tunes are ordinary Martin Gore, as ever, favours a bit of a drone. He continues: "It ought to be an intelligent chart contender, a mix of commercial class and magpie manipulation of the unconventional it isn't. NME critic David Quantick was critical of the sound of the record, and felt that it "suffers from too many missed grips on good ideas". Melody Maker 's Barry McIlheney hailed Some Great Reward and noted a "truly remarkable development" in Dave Gahan's voice, concluding that while "t used to be okay to slag this bunch off because of their lack of soul, their supposed synthetic appeal, their reluctance to really pack a punch", the album "just trashes such bad old talk into the ground and demands that you now sit up and take notice of what is happening here, right under your nose". Critical reception Professional ratings Review scores The video has not yet seen a DVD release.Īmerican synth-pop and electronic band Book of Love were the opening act for all 15 tour dates of the North American leg of the tour. The European release featured 16 songs, while the North American version featured 11 songs. A concert held at Alsterdorfer Sporthalle in Hamburg, West Germany, was recorded and issued as a video release titled The World We Live In and Live in Hamburg (1985). Tour Promotional poster for the concert held in Lund, Sweden It was also the first album that peaked at a higher position on a chart that was not from the band's home country as it peaked at No. 13 on the charts in mid-1985 on the Billboard Hot 100, and was a Top 20 hit in Canada. This was the first album where they achieved chart success in the US with the single " People Are People" which reached No. "Blasphemous Rumours" was released as a double A-side with " Somebody". This also saw the band using samplers, much like they did in their previous studio album Construction Time Again (1983), which they would continue to use in their following studio albums Black Celebration (1986) and Music for the Masses (1987).Īdditionally it also saw the band addressing more personal themes such as sexual politics (" Master and Servant"), adulterous relationships ("Lie to Me"), and arbitrary divine justice (" Blasphemous Rumours"). The album peaked at number five in the United Kingdom and number 51 in the United States, and was supported by the Some Great Reward Tour. Some Great Reward is the fourth studio album by the English electronic music band Depeche Mode, released on 24 September 1984 by Mute Records.
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